CHURCH OF THE ANNUNCIATION
MINNEAPOLIS, MINNESOTA
(MIDI interface present during tenure of
music director John Seboldt, through 1998)
GREAT (middle manual)
8' Diapason 61 pipes
8' Gamba (enclosed) 61
8' Hohl Flute (enclosed) 61
8' Spitz Flute (Choir)
8' Spitz Celeste (Choir)
4' Octave 61
4' Flute (from Hohl Flute) 12
2-2/3' Octave Quinte 61
2' Super Octave 61
Tremolo
Great to Great 16', 4' Great Unison Off
Swell to Great 16', 8', 4'
Choir to Great 16', 8', 4'
CHOIR (lower manual; enclosed)
8' English Diapason 61
8' Concert Flute 61
8' Spitz Flute 61
8' Spitz Celeste (tenor C) 49
4' Koppel Floete 61
2-2/3' Nazard 61
2' Block Floete 61
8' Clarinet 61
Tremolo
Choir to Choir 16', 4'; Choir Unison Off
Swell to Choir 16', 8', 4'
SWELL (top manual, enclosed)
16' Lieblich Gedeckt 61
8' Geigen Diapason 61
8' Rohr Flute 61
8' Salicional 61
8' Celeste (Tenor C) 49
4' Geigen Octave 61
4' Flauto Traverso 61
2' Harmonic Piccolo
(from Flauto Traverso) 12
III Mixture 183
8' Trompette 61
4' Rohr Schalmei 61
Tremolo
Swell to Swell 16', 4'; Swell Unison Off
MIDI Channel 1 or 2 (originally "All Swells to Swell")
PEDAL
16' Principal 32
16' Bourdon (in Choir box) 32
16' Violone (in Choir box) 32
16' Lieblich Gedeckt (Swell)
8' Principal (from 16') 12
8' Bourdon (from 16') 12
8' Rohr Flute (Swell)
MIDI to Pedal (originally 5-1/3' Twelfth from Principal)
4' Choral Bass (from Principal) 12
4' Block Flute (from Bourdon) 12
III Mixture (Swell)
16' Trombone (in Swell box) 32
8' Trompette (Swell)
4' Schalmei (Swell)
Great to Pedal 8', 4'
Choir to Pedal 8', 4'
Swell to Pedal 8', 4'
Three balanced swell pedals for enclosed divisions
Six General combinations, thumb and toe stud
Five combinations for each manual and pedal, with division cancel
Reversibles (toe stud): Great to Pedal, Swell to Pedal, Choir to Pedal; Sforzando
General Cancel